14. - 20. September 2015
Sub-Arctic landscape of Finland & Norway
Artists, hunters and herders, tactical media workers and scientists will be joining forces to develop, deploy, use and question enhanced sensing systems and methods. This could lead to new and surprising insights and construction of semantic territories, in which the gaze and measurement become knowledges and are projected back onto the land in order to structure completely new vectors of meaning, understanding and orientation.
Our senses guide us through the world. Combined with experience, knowledge and openness we can begin to develop new relationships and understandings of Earth systems and our collective embedded positions within. During the work week we focus on developing the ability to augment these senses through Technology and Intuition, engaging Local and Traditional knowledges, Art, Engineering and Sciences. The group explores the machinic in the ecologies and the animals in the machines.
Marko Peljhan is a theatre and radio director, conceptual artist and researcher. From 1994 on he has been coordinating the Makrolab project in all its dimensions. He is the co-founder of the Ljudmila digital media lab (1995) and the initiatives I-TASC (Interpolar Transnational Arts Science Constellation) and API – Arctic Perspective Initiative with Matthew Biederman. His work has been widely exhibited in numerous exhibitions worldwide. He is the recipient of several art prizes, among others the Golden Nica in the Interactive arts category for the work "polar" with Carsten Nicolai. He also works as Professor of interdisciplinary studies at the University of California Santa Barbara. He is also the artistic director of the not for profit arts organization Zavod Projekt Atol and the editor at large of the music label rx:tx.
Matthew Biederman works across media and milieus, architectures and systems, communities and continents since 1990. He creates works that utilize light, space and sound to reflect on the intricacies of perception mediated through digital technologies through installations, screen-based work and performance. Since 2008 he is a co-author of Arctic Perspective Initiative, dedicated to augmenting traditional knowledge through new technologies for greater autonomy of the circumpolar region. His work has been featured at: Lyon Bienniale, Istanbul Design Bienniale, The Tokyo Museum of Photography, ELEKTRA, SCAPE Bienniale and CTM among others.
D.A. artist and researcher Leena Valkeapää lives in the wilderness in the northwest Lapland. Her doctoral dissertation In the Nature, a dialog with Nils-Aslak Valkeapää´s art (2011) proposed a dialogue with nature and its poets. Se has exhibited as a visual artist since (1988) and has produced public environmental artworks, including the rock wall piece Ice Veil (1999) in Turku. She wrote a regular column to Lappish newspaper Lapin Kansa during the years 2012-2014. Valkeapää is taking part of the daily works in a reindeer herding, in sami culture tradition. Leena Valkeapää works as a visiting lecture in the Department of Art in Aalto University.
NUORTI! Arctic Knowledge Exchanges is an series on establishment and development of environmental citizen sensing networks in the Arctic and sub-Arctic, operated for and by the local indigenous communities. Projekt Atol has been working within the Arctic Perspective Initiative (API) since 2007 with the aim to empower and learn from the North and Arctic peoples through the deployment of open source technologies and applied education and training.
Nuorti! is a collaboration with Field_Notes – HYBRID MATTERs >
Read more on Arctic Perspective Initiative >
Read more on Projek Atol >
Read a repportage from the Seven Senses on the Land (SSOTL) workweek >
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